This article was originally published in Nomacorc website magazine in the summer 2016, following my three day visit to Trevallon in April 2016. A cold Mistral was blowing for most of that week, so hiding in the cellar some days, despite the noise, was a respite.
Sometimes the most unexpected vineyard visits appear from nowhere. While researching my article on new trends in premium rosés for Nomacorc, I discussed the use of Stockinger barrels with Stockinger’s European agent Thomas Teibert of Domaine de l’Horizon. Thomas asked if I were interested in going to Domaine de Trevallon at the end of April to see a rare event – the installation of five 3400l barrels by Franz Stockinger, head of coopers Fassbinderei Stockinger from Waidhofen-an-der-Ybbs in central Austria. Trevallon and its wines has always been one of my favourite estates, and the opportunity to observe this unique occasion, to see the domaine from a different perspective and taste the results, was one not to be missed.
View of Domaine de Trevallon on the western edge of Les Alpilles
Domaine de Trevallon, one of the most famous Provence estates, is located on the north western slopes of the small Alpilles mountain range overlooking the Rhone valley and not far from Châteauneuf-du-Pape. The domaine’s artistic origins still dominate most articles: The romantic holiday home of Parisian artists, friends of Picasso, their son Eloi Dürrbach’s creation of the wine domaine, planting Cabernet Sauvignon cuttings from Château Vignelaure, whose owner Georges Brunet had brought cuttings from his Bordeaux estate Château la Lagune in the 1960s. The quality of Dürrbach’s wines made Trevallon an early flagship for Provence, though Trevallon is not included in the Les Baux de Provence appellation due to use of 50% Cabernet Sauvignon, 50% Syrah.
In March 2019 I had the good fortune to be invited to visit the Canary Islands by Gabriel Santós of La Laguna University in Tenerife. At the university I met young winemakers, and tasted and discussed their red, white and rosé wines.
With young winemakers of the Canaries
I also visited a few vineyards, where, because of the region’s isolation from the mainland, phylloxera never arrived in the Canary Islands, meaning that vines can be hundreds of years old, often trained using traditional methods.
Tasting the wines of Provence has been a bit erratic this year. While Côtes de Provence had a stand at both WineParis (11-13 February) and Prowein (17-19 March), the 2018 vintage had often only just been bottled and were still quite young and closed. My preferred time for tasting the new vintage rosés is later in the spring, often at the generic appellation tastings, usually in April. However, for various reasons, the appellations of Côtes de Provence and Coteaux d’Aix-en-Provence, have chosen not to hold their annual tasting in 2019, leaving only Coteaux Varois to present their wines.
The appellation of Coteaux Varois
The Coteaux Varois annual tasting is always held in the gardens of the Alain Ducasse restaurant at La Celle in Brignoles, due to the fact that the Maison des Vins is in part of the same old monastic building. In past years, the tasting has fitted neatly into the small garden in the corner of the old monastery, giving it a neat back drop and a certain elegance, with colour co-ordinated ice bags and bunches of flowers, giving the tasting fantastic visual appeal. See earlier posts. Continue reading
At the end of February I was invited to talk at the XIX Vine and Wine Conference at the Károly Esterházy University in Eger, on marketing Hungarian wine in a global context. Some of my research highlighted the fact that after Tokaj, Bull’s Blood was the most well known Hungarian wine in many countries. It also indicated that Bull’s Blood had a reputation for wine in the cheaper bulk wine category, with many wines generically labelled ‘Bull’s Blood’.
Ceiling of the conference hall at the Károly Esterházy University
The successful marketing campaign for Bull’s Blood refers to the legend of when the Ottoman Turks believed the Hungarians were drinking blood to fortify themselves before battle when they saw the red wine stains on their beards. Today, it is largely the entry level wines which are called Bull’s Blood: blended reds which are bottled in Eger. Mostly, serious Eger producers choose to call their wines by the Hungarian name bikavér, with maybe a passing nod to a bull on the label, such as those of Ferenc Tóth and János Bolyki. Continue reading
Ben Bernheim, grew up in France and is a recent graduate from Edinburgh University, Scotland, with an MA in Economics and Economic History. He was a member of the winning tasting team for the Edinburgh Wine Society. He is currently spending the summer working in a few Israeli vineyards.
A year ago, I was asked to write something on the economic impact on the wine trade of Brexit. I didn’t. Partially because I’m lazy, but mostly because I didn’t have the foggiest what would actually happen. At the time, I don’t think anyone did. Twelve months and a general election later, that’s still the case. Continue reading
Based on a post first written and posted for Blue Danube Wines and a masterclass at RoVinHud in Romania, November 2016. Updated 16 March 2017 following a Kadarka tasting in Szekszárd.
Line up of Kadarka wines from Romania, Serbia and Hungary at my masterclass RoVinHud in Romania
Hungary is increasingly looking to its vinous history and indigenous varieties. There is a growing number of winemakers, who, with the help of research institutes like the one at Pécs, are replanting varieties which were almost lost during the phylloxera epidemic. Kadarka is one of those varieties now seeing a revival. It also happens to be my current favourite variety. Continue reading
Last month I had the exciting – and rare – opportunity of tasting an amazing selection of 353 still rosés from around the world. This proved a glorious spectacle of the most amazing shades of pink – forget 50 – this was far more dazzling. The range of colours was an easy reason why this sector of the wine market has so attracted the consumer; who is not enchanted by a glass of shell-like pink or glowing ruby wine, lit up by sun- or candle-light?
Jonathan Pedley MW tasting Rosés at The Drinks Business Rosé Masters
On a cold grey blustery day in early April, I made my way to the Salon du Millesime 2015 Coteaux d’Aix-en-Provence held at the Hotel Renaissance in Aix-en-Provence. This is the only one of the repertoire of Provence tastings which takes place in the evening, from 4 to 9pm.
In my post last year of the rosé 2014 vintage, I summed up the different regions of Coteaux d’Aix and noted how the four different terroirs had an impact on the styles of Coteaux d’Aix rosés. This year, the tasting table clearly indicated from which region each wine came from, which help tasters recognise regional styles. Sommelier Nadine Rosier was on hand to discuss the wines.
The rosé tasting table with colour-coded labels to indicate regions
Mid April saw the round of tastings introducing the new 2015 Provence wine vintage came to a close with that for Coteaux Varois en Provence. Held in a beautiful location, it is the prettiest and most enjoyable of all the tastings.
Student sommeliers ready before the start of the tasting
In 2013, the 4th sub-appellation of Côtes de Provence, Côtes de Provence Pierrefeu, was announced for red and rosé wines, adding to La Londe, Ste Victoire and Fréjus.
Cotes de Provence Pierrefeu in darker purple
Launching a new appellation is no easy process. This took some ten years, which is not atypical. In 2003 some 30 producers (including 4 co-operatives) in the triangular region of Pierrefeu-Cuers-Puget-Ville came together to promote their belief that the largest area of production within the larger Côtes de Provence appellation had a distinctive character worthy of a sub-appellation.