Ben Bernheim, grew up in France and is a recent graduate from Edinburgh University, Scotland, with an MA in Economics and Economic History. He was a member of the winning tasting team for the Edinburgh Wine Society. He is currently spending the summer working in a few Israeli vineyards.
A year ago, I was asked to write something on the economic impact on the wine trade of Brexit. I didn’t. Partially because I’m lazy, but mostly because I didn’t have the foggiest what would actually happen. At the time, I don’t think anyone did. Twelve months and a general election later, that’s still the case. Continue reading
Based on a post first written and posted for Blue Danube Wines and a masterclass at RoVinHud in Romania, November 2016. Updated 16 March 2017 following a Kadarka tasting in Szekszárd.
Line up of Kadarka wines from Romania, Serbia and Hungary at my masterclass RoVinHud in Romania
Hungary is increasingly looking to its vinous history and indigenous varieties. There is a growing number of winemakers, who, with the help of research institutes like the one at Pécs, are replanting varieties which were almost lost during the phylloxera epidemic. Kadarka is one of those varieties now seeing a revival. It also happens to be my current favourite variety. Continue reading
Last month I had the exciting – and rare – opportunity of tasting an amazing selection of 353 still rosés from around the world. This proved a glorious spectacle of the most amazing shades of pink – forget 50 – this was far more dazzling. The range of colours was an easy reason why this sector of the wine market has so attracted the consumer; who is not enchanted by a glass of shell-like pink or glowing ruby wine, lit up by sun- or candle-light?
Jonathan Pedley MW tasting Rosés at The Drinks Business Rosé Masters
On a cold grey blustery day in early April, I made my way to the Salon du Millesime 2015 Coteaux d’Aix-en-Provence held at the Hotel Renaissance in Aix-en-Provence. This is the only one of the repertoire of Provence tastings which takes place in the evening, from 4 to 9pm.
In my post last year of the rosé 2014 vintage, I summed up the different regions of Coteaux d’Aix and noted how the four different terroirs had an impact on the styles of Coteaux d’Aix rosés. This year, the tasting table clearly indicated from which region each wine came from, which help tasters recognise regional styles. Sommelier Nadine Rosier was on hand to discuss the wines.
The rosé tasting table with colour-coded labels to indicate regions
Mid April saw the round of tastings introducing the new 2015 Provence wine vintage came to a close with that for Coteaux Varois en Provence. Held in a beautiful location, it is the prettiest and most enjoyable of all the tastings.
Student sommeliers ready before the start of the tasting
In 2013, the 4th sub-appellation of Côtes de Provence, Côtes de Provence Pierrefeu, was announced for red and rosé wines, adding to La Londe, Ste Victoire and Fréjus.
Cotes de Provence Pierrefeu in darker purple
Launching a new appellation is no easy process. This took some ten years, which is not atypical. In 2003 some 30 producers (including 4 co-operatives) in the triangular region of Pierrefeu-Cuers-Puget-Ville came together to promote their belief that the largest area of production within the larger Côtes de Provence appellation had a distinctive character worthy of a sub-appellation.
Tibouren is regarded by many in Provence as the traditional variety for making rosé, unique to the area. Tibouren is a pale-skinned grape, suited to making rosé, as it allows for fuller fruity character to be developed without extracting lots of colour. An early ripening variety, it seems to do best in sunnier sites, usually the hotter coastal regions which also benefit from damper maritime winds. Plantings have never been extensive (currently around 450ha), as it is regarded as slightly temperamental, with susceptibility to coulure (poor fruit-set after flowering), and irregular yields. Most Tibouren is from old vines. DNA analysis suggests a close connection with the equally rare Rossese which makes red wine in Dolceacqua, just over the border from Nice in western Liguria, Italy. Continue reading
Last week I was at Vinisud 2016 – the three day exhibition in Montpellier focusing on wines of the Mediterranean.
This is a vast fair, making it impossible to taste all the wines I wanted. Many gems I wanted to taste and never reached – but here are 10 whites which stood out. In some cases, a producer had different white wines or appellations which were also excellent – but I have restricted the choice to one from each domaine and from each appellation.
From 15-17 February 2016, the city of Montpellier hosted the 12th bi-annual trade fair Vinisud, dedicated to wines of the Mediterranean. The hashtag #Vinisud2016 was successfully used on Twitter to generate comment and business.
I will be writing more about the exhibition and wines in a future post, but for now, here is my review of the event published in Harpers.
A second article on the Vinisud fair is now available in Harpers, but for subscribers only.
At the recent Wine Mosaic conference, one of the facts that shocked participants most of all was the fact that the majority of wine is made with only a small percentage of the grape varieties available to us. 70% of French wine production comes from only 30% of the varieties grown, and this pattern is repeated globally.
6th century AD grape vine mosaic with Armenian inscription in chapel of St. Polyeuctos, Jerusalem
Less-used and lost varieties are important for several reasons. They enlarge the biodiversity of plants available, have been established for centuries and have adapted to different climates and regions and therefore have a unique taste of the terroir, and this combination of plant variation and different terroir enriches the range of wine tastes and styles available and reflects the different cultural tastes as well as maybe giving us a glimpse of tastes from the past. Continue reading