Italian Grenache Rosés of the Tyrrhenian Sea


Despite Garnacha / Grenache Noir being known for producing some great reds from Spain, Sardinia and Southern France, many producers felt that it was a variety often ignored compared to more famous international varieties. To counter this an international Grenache Symposium was held in 2010, an international #GrenacheDay was created every September and an international competition Grenache du Monde was launched in 2013.

In terms of rosé, Grenache Noir is known in Provence and Languedoc as the rosé variety where it makes pale, salmon-coloured wines, with full ripe fruit, sometimes intense with raspberry notes with hints of spice. Its high sugar content and moderate acidity contribute a full round ripeness. However, it did not arrive in the region until the 19th century.

At the Grenache du Monde 2020 walk around tasting it was evident that different names could cause confusion, and while I recognised Cannonau, I was surprised to see Gamay. The adventures of Garnacha read more like a stirring novel with the Tyrrhenian Sea as centre stage. Sardinia has the highest proportion of Grenache grown in Italy, with 32% of Grenache grown in Italy is found in Tuscany. 20% in Sicily.

Grenache is well-adapted to slightly acidic, gravel or stony (pebble) terroirs rather than to very limestone white soil and appears to manage if ungrafted on sandy soils.

The story of Grenache around the Tyrrhenian Sea is as much a historic romance as it is about wine.

The Tyrrhenian Sea

The Tyrrhenian Sea, which sounds like something out of The Game of Thrones, is bounded by the islands of Corsica and Sardinia (to the west), the Italian peninsula (regions of Tuscany, Lazio, Campania, Basilicata, and Calabria) to the east, and the island of Sicily (to the south). The Tyrrhenian Sea also includes a number of smaller islands like Capri, Elba, Ischia, Ustica and the southern Aeolian Islands. It is also where the African and Eurasian Plates meet, creating underwater mountain chains and active volcanoes such as Mount Marsilits.

The name Tyrrhenian derives from the Greek name for the Etruscans, who were said to be emigrants from Lydia and led by the prince Tyrrhenus. The Etruscans settled along the coast of modern Tuscany and referred to the water as the “Sea of the Etruscans”. The Aeolian islands are named after the Greek god Aeolus who lived by the Tyrrhenian Sea and looked after the four winds: The Mistral from the Rhône valley, the Libeccio from the southwest, and the Sirocco and Ostro from the south.


On the western side of the Sea lies the islands of Sardinia and Corsica. Sardinia’s strategic location between the Iberian and Italian peninsula made it valuable, and with alternating occupation, cultural exchanges were inevitable. During the 12th century, the Genovese Dorian family were in control of both islands. Genovese rule lasted until the mid-14th century when the island, along with Corsica, was conquered by the Aragonese (which included Catalonia, the Balearics and Roussillon) and became part of the Kingdom of Aragon.

It is thought that the new conquerors brought with them their local vines, including Garnacha, which was renamed Cannonau in Sardinia. In 1469, the heir to Sardinia, Ferdinand II of Aragon, married Isabel of Castile. Their grandson Charles I of Spain inherited the Kingdom of Sardinia (which was separated from Corsica). His successors, to defend their Mediterranean territories from raids of the Barbary pirates, fortified the Sardinian shores with a system of coastal lookout towers, allowing the gradual resettlement of some coastal areas. The Kingdom of Sardinia remained Aragonese-Spanish from 1323 to 1708, and many Catalan traditions, customs and linguistic expressions have survived. In 1720 the Piedmontese family Savoia arrived and the cultural emphasis shifted towards Italy. Stories such as that of the Sella & Mosca winery founded by two Piedmontese adventurers, an engineer called Sella and a lawyer called Mosca came to Sardinia in the 1890s. In 1899 they bought the land and planted with vineyards and today the estate is one of the largest with 520 ha.

Cannonau is the most important grape variety in Sardinia with almost 8,000 hectares planted and its own appellation: Cannonau di Sardegna for red and rosé. The Cannonau di Sardegna rosé is a DOC wine whose production is allowed in the provinces of Cagliari, Nuoro, Oristano and Sassari. A large number of rosés from all around the island are made in a light, more international style.

A little north of Nuoro on the way to Olbia, lies Cantina Contu, a small vineyard at the foot of Mount Albo, a chain of limestone hills some 20km a valley. Kamélia 2019, Cantina Contu, AOP Cannonau di Sardegna. Pale salmon. Peachy raspberry, creamy, hint of grapefruit, nice weight.

Located in the far north, north of Olbia with vineyards on decomposed granite and sandy soils. Surrau 2019 AOP Cannonau di Sardegna. Manual harvest takes place in the first ten days of September. The pressing is soft, of whole grapes not partially destemmed, cold clarification and cold fermentation in tank. Salmon pink, dry, mineral, fresh, very dry. Alcohol 12.5% Total acidity 5.8 g/l Residual sugars 5 g/l.

Fattorie Isola is a joint project with the agronomist Luigi Cuccaru and the oenologist Renzo Panetto to make modern, sustainable Sardinian wines. The grapes are mainly produced in the locality of Tres Montes in the northern Sassari region on largely basaltic soils. Made in a modern, fresh style with minimal skin contact and cold maceration and fermented in tank.Fattoria Isola 2019 AOP Cannonau di Sardegna Fresh, fruity, simple.

Ogliastra is located in central-eastern Sardinia. The Ogliastra Winery was founded in 1959. Selisè 2019 Cantina Ogliastra, Cannonau di Sardegna Pale salmon, cinnamon spice, with fresh mineral acidity and dry finish.

There are also more full-bodied rosés.

Mamoiada, in the north western region of Nuoro, is known for its high-altitude vineyards at over 650 meters above sea level. It is here that Marco Canneddu makes this rosé from vines planted at over 900 meters on mainly granite soils. Hot sun, cooling winds and high altitude give a big diurnal temperature range. The vineyards are ploughed by oxen, the harvest is manual, and the wines go through spontaneous fermentation with indigenous yeast. Zibbo 2019. Marco Cannedelu, AOP Cannonau di Sardegna. Darker pink, lots of red fruit. Very ripe fruit, some tannin notes of finish, but well-balanced by lots of ripe raspberry fruit and fresh acidity. Pleasing sourness, sour cherry on finish.

On the coastal sandy soils of Badesi in northern Sardinia, the vines are ungrafted and trained as albarello creating dense planting and low yields creating rich intense wines.Very hot and arid summers and mild winters, and fierce Mistral winds. Rosamarina 2019, Cantina li Seddi, AOP Cannonau di Sardegna. Pale red. Fresh red fruit. Similar to Zibbo. Vinification in contact with the skins for 12h. Long fresh acidity, hint of tannin on the finish. Nice and fresh and intense red fruit. Far northern coast

In the far south, around Cagliari is Cantine di Dolianova, the largest winery in Sardinia with 1,200 hectares of its own vineyards, plus 300 members, Modern techniques of cold, short skin contact and cold fermentation in tank. Rosada 2019 Cantina di Dolia Nova AOP Cannonau di Sardegna Rose petal pink, slight floral roses and raspberries. Some rich sweetness, sour cherry red fruit and raspberries. Silky, supple fresh acidity and lots of ripeness. and nice presentation. Clay and limestone hills with a sub-arid climate.

From Capo Ferrato in the eastern part of the Cagliari province, an area most famous for its Passito wines. Founded in 1959 by the Sardinian agrarian reform body supported by the major winemakers in the area, the Cantina di Castiadas harvested grapes from all over the Sarrabus. Rosato Capo Ferrato 2019, Cantina Castiadas Cannonau Capo Ferrato Darker salmon pink. Rich, ripe, more intense fresh acidity. Lots of ripe fruit. On granite soil, minimal skin contact temperature control in tank

In the middle of the western coast by a large coastal lake on volcanic and clay soils comes I Giganti 2019, Contini, AOP Cannonau di Sardegna Pale salmon. Creamy ripeness. Peach, raspberries and fine mineral acidity. Partly fermented in barrel.


Maremma faces Sardinia across the Tyrrnhenian Sea and historically there has always been considerable movement between the two regions with both Maremma and Sardinian economy based on herding cattle and sheep. Cannonau was brought over (directly from Aragon or Sardinia is unsure) at the time of the marriage in 1610 between Eleonora da Mendoza in Aragona and Fulvio Ascanio della Corgna, Marquis of Castiglione del Lago further inland in Umbria. This family who dominated much of central Italy (Sardinia, lower Tuscany, part of Umbria, Marche) for almost three centuries.

In Tuscany the variety took on the name Alicante (referring maybe to a Spanish introduction as the region was under direct Spanishcontrol from 1557) and has a strong tradition in Scansano in the east of Maremma, closer to Umbria. (Alicante Bouschet is a cross (Teinturier du Cher x Aramon) x Grenache and is a teinturier grape.)

Maremma itself, was until the Second World War an area of marshes and malaria, with cattle herding in the south, fishing along the coast and agriculture and viticulture only on the hills to the west. Life and activities developed after the Second World War, when the marshes were drained and malaria eliminated. The late development of the area has preserved its biodiversity and wildness, with the province of Grosseto, the largest province in Tuscany, being the one with the lowest density of population and little to no industry.

A second wave introducing this variety to the region came when Cannonau/Alicante moved across the Tyrrhenian Sea after the Second World War, when young Sardinian women moved to the mainland for work, and later marriage, bringing with them vines as part of their dowry.

Coastal Plains with strong maritime influence

Tenuta La Badiola Grenache with rootstock 110 r. The east vineyard, where the sun rises. The soil is sandy loam 15 meters above sea level. Harvest is early, usually at the beginning of September with manual harvesting. White vinification with carbonic snow with a contact of a couple of hours, after which it is separated into free-flowing wine from the press. The first production is around 2008 Acquagiusta is the name of a spring of good water, in an area where once there were swamps, which then becomes a stream. (this brings to mind the area found in the Camargue area.). From 20 year old vineyards next to the sea and on former swamp land at Castiglione la Baiola, Still and sparkling Alicante rosé. Acquaiusta 2019, DOC Maremma Toscana. Very pale shell salmon pink. Creamy, silky, ripe cherry fruit. Very pretty, its creamy softness balanced by crisp crunchy red berry fruit. Acqugiusta ‘Andané’ undergoes second fermentation in Franciacorta. Very perfumed and floral, red fruit and very pretty.

Az Bruni Soffio 2016 100% Alicante. Perfumed quince on the nose, and on the palate, fragrant and aromatic with fresh minerality. First made in 2008

Hilly inland region of Maremma with large diurnal temperature changes

Claudio Sabatucci of Casavyc grows the grapes for his rosé at 500m which gives the wine a fine elegant structure and fresh acidity, rather than a big ripe robust fruit.

Vedorosa 2017 Casavyc IGP Toscana 13% abv Alicante (plus an experimental 10% Pinot Noir) Salmon melon. Lovely fresh saline acidity. Red currants, fresh red berries. Vibrant and fruity with just a merest whisper of dried orange and dried cherry fruit and a nuttiness indicating age and showing the development of secondary fruit characters.

The Passerotti family recently created the Diegale estate, with owner Gabriele explaining how they chose to plant a Corsican clone of Grenache because they felt it had greater acidity. To illustrate the freshness of this clone, Gabriele presented a vertical tasting for me to try. 240-280 metres with a south east, east orientation.

Ciarlibo 2014 Diegale IGP Toscana 14% Pale brick pink. Ripe red fruit, firm saline acidity. Juicy, fresh, savoury. A real gastronomic rosé – mouthwatering, complex with a long freshness and sour fruit.

Ciarlibo 2015 14% abv Tawny red pink. Slightly oxidative aromas. Long fresh minerality, red fruit. Complex sour cherry fruit. some slightly gamey notes in secondary fruit character. Some floral (volatile) notes.

Ciarlibo 2018 Diegale IGP Toscana 14% Grenache. Pale red. Sour fruit, savoury, mineral. Has a long clean austerity but not yet the secondary flavours giving complexity, and not much youthful fruit. More gastronomic.


Cannonau or Alicante arrived here at the time of the marriage between Eleonora da Mendoza in Aragona and Fulvio Ascanio della Corgna, Marquis of Castiglione del Lago in 1610. Later, repeated Sardinian episodes of transhumance during the late nineteenth and early twentieth centuries, shepherds came to the mainland peninsula from Sardinia, bringing with them sheep and grapes. The variety was renamed, and became known, rather confusingly as Gamay Perugino, Gamay del Trasimeno or Umbrian Gamay.

The confusion has persisted with the variety being catalogued as 091 Gamay. The error is highlighted by the fact that Cannonau, code 051 of the Vine Variety Register, also has Gamay as a synonym, “for the sole purpose of designating DO and IGT wines from the Province of Perugia”.

According to Nicola Chiucchiurlotto, the owner of Madrevite winery, the area is excellent for wine production. The eastern part, closer to the mountains, has a clayey soil but also rich in layers of rock and limestone with a “continental” climate.

The western part, which is closer to Tuscany has a milder climate with cooling winds and, thanks to the presence of two other small lakes, a clayey soil rich in shells. Carlo and Marco Carini describe the landscape as being full of lakes and hills (Vaiano (371m) and Cimbano (369m)) which contribute to the unique microclimate. With mild winters and hot windy summers.

Rosé in recent years has had considerable success but remains relatively unknown as production remains limited area. Chiucchiurlotto estimates a total production of 100,000 bottles to date. Definitely modern style with similarities to the Provencal one.

This wine region has been undergoing a revival over the past ten years thanks to a number of wineries working together. The cooperative Duca della Corgna, located in the western part of lake Trasimeno, has been established for thirty years.

Martavelo 2019 IGT Umbria, Duca della Corgna Pale salmon pink. Good, sweet ripeness of raspberry fruit, rich. Long mouth-watering acidity. Silky fresh, lovely. 13.5%. Duca della Corgna is the largest commercial producer in the Lake Trasimeno area. Over time, the structure of the Cantina del Trasimeno has grown and has acquired a fundamental role for the agriculture of the area, making wine almost 12,000 tons of grapes in the early 1980s. After a downsizing phase linked to the progressive aging of the vineyards, the winery wanted to focus decisively on high quality wines by renewing the vineyards and using the most advanced technologies available. Today the Cantina del Trasimeno is a cooperative of 200 members for a total vineyard area of about 300 hectares. The use of rigorous agronomic techniques in the vineyard, the decisive technological innovation in the cellar and the technical contribution of serious and qualified professionals in the sector, are the ingredients that make this cooperative winery one of the most interesting realities in the Trasimeno area and in the wine scene. national. The production is organized in such a way as to control every phase of the production cycle, from the countryside to the cellar: the production of the grapes until the harvest, the vinification, the aging of the wine both in wood and in steel, bottling, aging in the bottle.

Bisbetica 2019 IGT Umbria, Madrevite Gamay del Trasimeno on clay soil at 320m Slightly smokey on the nose. Peachy red berry fruit. Almost sweet ripeness and lovely long, vibrant acidity. 13%.

Le Cupe 2019 IGT, Azienda Carlo e Marco Carini have about 60 hectares, 12 of which are under vine, of marl, clay and sandy soils with north west exposure, extending over three different hills and woods on the border between Umbria and Tuscany. Their grandfather Zino grafted the old, rooted cuttings into a new vineyard in the 1970s and the vineyard continues to use these old vines as a source for new plantings. The vineyard is under conversion to becoming organic. The vines for their rosé are 10 to 15 years old on 1ha clay soil in a mid-hill area on the slopes of Monte Tezio (270-360m above sea level). Minimal skin contact, controlled fermentation in tank. The rose is pale salmon pink, very Provence style, weighty fruit, mineral, dry.

Grenache arrived in Liguria, apparently through the port of Savona, possibly directly from Spain, as it retains the name Granaccia. Garnacha appears in other areas in Italy. On the west of the peninsula, it appears in the Marche, especially in the Piceno area, where it is known as Bordò. From there it moved north to the Berici Hills, near Soave, brought, according to legend by clerics on their way from Rome to Avignon.

In a research paper published in 2010 the results found close similarities between the different Grenache varieties.

“The most important result into the centroids was the clean separation among the three geographic origins (Italy, Spain and France) and also the high genetic distance among the Italian accession from different zones of cultivation (Alicante, Tocai rosso, Gamay perugino, Cannonau). The 19 Spanish accessions from six different Garnacha varieties are grouped in the same cluster, well separated tothe Italian and French accessions. … The results of the microsatellite analysis confirmed that all 53 Garnacha accessions were of the same cultivar, even if they were called Garnacha tinta in Spain, Grenache noir in France and Cannonao or Tocai Rosso orAlicante in Italy, with other local names as Gamayperugino in Tuscany and Umbria or Cannonau in Sardinia.”

There are more than 360 clones was planted at a conservatory in the Côtes du Rhône in 1998 and there are twenty-six numbered Grenache clones. The French clone GN 70 is very productive, most widely planted in France and South Africa with berry and spice fruit, but not always the most structured and coloured. The 1064 clone has lower production with higher quality and more tannin. The 513 clone has lower vigour, good quality and higher polyphenols. 516 is of average quality with typical cultivar character. Other international clones with potential: US (Clone 2D), France (ENTAV-INRA 136 and 435), Spain (clones from Navarra – EVENA 11, EVENA 13, EVENA 14 and EVENA 15, VNQUALITAS, clones from Castilla y Leon – CL 55, clones from Aragon – ARA 2 and ARA 24, clones from Rioja – RJ 21).

Grenache is important in both the production of red and rosé wines, and there is still work to be done, especially in the field of rosé wines to highlight regional variation.


Wines tasted at Grenache du Monde 13 September 2020 and Maremma rosés in May 2020.

Grenache Gris (grey, white, pink and orange)


At the recent Grenaches du Monde competition, sponsored this year by IGP Pays d’Oc in Montpellier, in September 2020, we tasted red, pink and white wines made from black, grey and white Grenache. We tasted still, sparkling and fortified and revelled in the range of styles and quality. Sadly, due to COVID, apart from one or two lone bottles, all the wines came from Spain, France and Italy. I have also included some wines tasted on an MW trip to Roussillon in May 2019 and others tasted at home during lockdown in April 2020.

During the past couple of years, I have started to note a pattern emerging in my tasting notes which shows just how much I love Grenache Gris white wines. I love their richness, texture and structure. But I also noted just how few of these wines, in their purist form are available.

Grenache Gris photo Bruno Mailliard

Grenache Gris is an ancient variety, closely related to Grenache Noir, Grenache Blanc and the even rarer Hairy Grenache (Lledoner Pelut). There may be other clonal variations. Randall Grahm remembers how “Years ago I came across a grower in Perpignan who purported to grow something called Grenache Rouge, which he alleged was the most aromatic Grenache of them all. He gave me some cuttings, which found their way back to California. I grew them in a nursery for a few years and they looked just like Grenache Gris. I presume it’s a biotype (clone) of Grenache Gris but would appear to be a valuable one.” As Grenache Gris is called Garnacha roja in Spain, this may have been a Spanish clone. Most of the current vines in Spain and Roussillon are old and have low yields. Many of the vineyards were abandoned because of their inaccessible location.

As its name suggests its skin is tinged pink. Some suggest it has a thinner skin, making it prone to rot. However, talking to Grahm, one of the original Californian Rhone Rangers, founder of Bonny Doon Vineyard and now the Popelouchum project with over a thousand varieties (including 2.5 acres of Grenache Gris) suggests that Grenache Gris in some situations can have a thicker, more astringent skins, possibly due to the intense Californian sunlight. He has considered spraying kaolinite on the vines to protect them, but is concerned this will cause a diminution in colour and strip out some nutrients. “so could be a bit dicey.”

Randall Grahm’s Grenache Gris (foreground) Grenache Blanc (behind)

Marcel Bühler of the small Roussillon estate Domaine des Enfants also noted that Grenache Gris can have slightly more tannins (why? thicker skins?) than many white varieties making it more suitable for more structured white wines suitable for ageing.

Grenache Gris, like other members of the Grenache family, has high sugar content, making it prone to higher alcohol levels and is highly resistant to drought. Bühler adds his Grenache Gris into his white field blend along with Grenache Blanc, Carignan Blanc and Macabeu. He explained how only small quantities of these varieties were planted because their role was to be blended into the red wines (no more than 20%) to give freshness and alcohol. The freshness possibly comes more from the Carignan Blanc but Grahm suggests that Grenache Gris also has good acid levels. He describes the character of Grenache Gris as having an “anomalous (high) acidity levels” and many of the characteristics in the Central Coast that are found in France such as the “earthy/mineral aspect, a gravitas, if you will, that you get in Grenache Gris that is lacking in Grenache Blanc. At Popelouchum, (with a climate similar to Roussillon) we get a lot of texture and persistence on the palate, maybe not as much of the oiliness as is found in French example, but maybe that’s the lower pH. For reasons that I don’t quite understand, Grenache Gris (and Blanc) seem to enjoy preternaturally high acids and low pHs grown in the cooler parts of Monterey and San Benito Counties.  At Popelouchum, it is not unknown to see a pH of 3.2 at 14.5% potential alcohol.”

Popelouchum Grenache Griss with the odd bunch of Grenache Blanc

Traditional Oxidative Styles

As well as being blended into the red wines, Grenache Gris was also blended with other white varieties to make wines in an oxidative style.

A traditional example is Dom Brial’s Grande Rancio Sec 2000 IGP Côtes Catalans made with 1/3 Grenache Gris, 1/3 Maccabeu, 1/3 Grenache Blanc fermented in cement tank and then six years ageing in barrel. At twenty years of age this wine was full of honey, butterscotch and floral notes with hints of saline savoury nuances. The wine is bone dry with fresh acidity. Salty, citrus, mineral and complex oxidised back layers. Absolutely delicious. (tasted May 2019)

Cave Arnaud de Villeneuve, Rivesaltes Ambré 1988. Grenache Gris, Grenache Blanc, Maccabeu and Muscat aged in barrel. Orange (amber colour). Creamy fruit with hints of burnt orange and fresh orange acidity. A perfect match with orange ice cream and rich enough to handle the chocolate mousse. (tasted May 2019)

Orange Wine

Grenache Gris can also be used as an orange wine where the white wine is fermented on the skins. The natural pigmentation has resulted in a pinky glow.

Amistat Tatsima Gris Orange Sec, Aspres, Vin de France. 90% Grenache Gris 10% Grenache Blanc. A pale pink colour, so appears to be a rosé. On the palate, intense dried peach, apricot and butter with strong phenolic tannic finish and balanced acidity. (tasted May 2019)

Jean-Mark and Justin’s Taronja de Gris 2019, IGP Côtes Catalanes Grenache Gris with some Muscat and Viognier fermented on the skins in barrels. 5000 bottles. Tasted in my new orange wine glass from Rona 5 Star glass. In a number of tastings, this glass proved to bring out the a greater intensity of flavours. Deep golden orange pink colour – in the glass this looks like a rosé! The Muscat and Viognier give attractive floral aromas mixed with notes of dried apricots. On the palate there is fresh acidity in balance with the weight and structure. A dry tannic finish gives length and structure rather than dominating the fruit of bitter orange, dried apricots, bitter chocolate and savoury notes. The floral, perfumed notes return on the finish. (Tasted November 2020)

Jean-Marc and Justin’s Taronja

Katie Jones of Domaine Jones is keen to try an orange wine from Grenache Gris as her next challenge. Grahm has not been thoroughly comfortable with skin contact whites (and greys) due to the astringency in the skins in California. 

White Wine

In the Roussillon, until 2015, only 3% of the white wine was dry table wine, by 2019 it had risen to 15% of production. Although Grenache Gris made as white or gris dry wine and rosé is a relatively new innovation, most Grenache Gris wines tasted were white; when served next to a blanc de blanc or white wine made from white grapes, the wines have a creamier, shell like pinkness about them.

Modern dry white wines can be made either with 100% Grenache Gris or blended with all or some other white varieties such as Grenache Blanc, Macaebu and Carignan Blanc. Here I have focused on wines with largely, or only, Grenache Gris. All the wines I tasted had been in oak of various sizes and ages. It is a variety which appears to age well and develop complex richness.

Domaine Jones barrique blanc sec 2011 vin de France Initial fermentation in tank, finished in barrique and ageing. The wine ended up being too oaky to go into the blend and was left in the barrel and forgotten. When after two years, in 2013, Katie Jones tasted the wine she was pleasantly surprised. With 8 years of age, 4 in barrel, the wine was pale gold. Aromas of mature fruit and buttery. On the palate fresh peach fruit, long acidity and fresh balancing citrus notes, hints of fine oak tannins and restrained oak flavour. Gorgeous. This is a very traditional style and Katie was so pleased with it that she now does this wine every year. (tasted May 2019)

The Guardian 2017, Domaine de la Pertuisane, IGP Côtes Catalanes, old vine Grenache Gris, 6 months in barrel of which 10% were new. No malolactic fermentation. Beautifully integrated oak. dry, fresh saline acidity, quite rich structure although the fruit has a restrained citrus, herbal and white fruit character. (tasted May 2019)

Le Cirque 2019, Terres Plurielles, IGP Côtes Catalanes, old vine Grenache Gris on limestone and clay. Gentle pressing of grapes and selection of free run juice, cold temperature fermentation, wine left on lies in vat. The limestone soil seems to give a brighter freshness with juicy white peach and lime acidity. (tasted September 2020)

L’Amourette 2018, Thunevin-Calvet, IGP Côtes Catalanes.  Sixty year old Grenache Gris on schist, clay and granite, fermented in oak, 40% new oak. 50% malolactic fermentation. Aged for 8 months in barrel. This wine showed more perfumed quince and ripe pear fruit with fresh citrus acidity and spice from the oak ageing. (tasted May 2019)

Grenache Gris features in many white wines in the Collioure appellation on the Spanish border. The vineyards are located on steep schist slopes overlooking the sea and are cooled by humid maritime breezes.

Folio 2018, Coume del Mas AOP Collioure, 90% Grenache Gris, 10% Grenache Blanc on schist. Fermented in barrique. Lots of silky, creamy lemon fruit, with ripe apricots, yellow peach and spice. Oak beautifully integrated. (tasted May 2019)

Cap Béar  Blanc 2018, Les Clos de Paulilles, Cazes, AOP Collioure. 100% old vine Grenache Gris, on coastal vineyards. Fermentation in large cement eggs – porosity gives oxygenation. Aged in eggs and demi muids. 14% abv. Lovely saline acidity, peach fruit, fresh, crisp mineral citrus notes, chalky texture and long fresh acidity. (tasted May 2019)

MWs walking from the beach to the Cap Béar vineyards of les Clos des Paulillies

Grenache Gris has lost out in the popularity stakes next to more international varieties. Upto date information on plantings seem scarce. There are more plantings of Grenache Blanc (Wikipedia 5,896 ha in France alone in 2018 and 2,256ha in Spain in 2009) than Grenache Gris (according to Wikipedia there were only 2,634ha globally planted).  There is a limited amount of Grenache Gris found in Mediterranean climate regions such as South Africa (Fram’s Grenache Gris Malmesbury, Western Cape and Willie Mostert’s Grenache Gris, Voor-Paardeberg, Western Cape – 7 days on skins, natural yeast, 10 months in old oak and California. Grahm notes that “there was (likely still is) a Grenache Gris Vineyard in the Ukiah area that is likely more than 100 years old. Took the folks at McDowell Valley Vineyards a while to figure out what the hell they had but eventually they did.” He is “not convinced that UC Davis necessarily brought in the most interesting clone(s) of Grenache Gris but cluster size is not totally insane.”


Some wines are more distinctly rosé. Technically, wines with this hint of colour are called gris de gris. This can cause some confusion, as it also does with Pinot Gris – another gris variety which can make both white and pink tinted wines: when does a white wine become a rosé? Confusion can sometimes be caused by pale rosés being called ‘gris’ wine, even if not made with a gris variety.

I called Bruno Mailliard the winemaker for Domaine Royal de Jarras in the Camargue and Chateau la Gordonne in Provence to discover the finer details of when does Grenache Gris become a white or a rosé? “Grenache Gris is the ‘jewel in the crown variety for Jarras, in the Camargue, some on its own rootstock and next year (2021) the area will (hopefully) receive its own appellation. The region is quite unique as Grenache Gris is not a permitted variety in the appellations of Provence and is not found in much of Languedoc.”

Domaine Royal de Jarras aerial view

(The Grenache Gris of Jarras are not included here – but will write up a visit planned 2021.)

Maillard explained that there is no legal definition between a white and rosé Grenache Gris. Labelling can be confusing – with some pink Grenache Gris labelled as ‘Gris’ and some as ‘Rosé’ or ‘Rosado’.

A white wine made with gris grapes will have a greater amount of anthocyanins (the naturally occurring red pigmentation in grapes) than that found in a white wine. It is possible to test whether very pale rosés have had greater skin contact by the amount of anthocyanins. These anthocyanins are more stable at low pH (acidic conditions) which gives a red pigment. Meanwhile, the higher the pH, the greater chance the pink colour will have blue tints.

Mailliard suggests that if a producer wants to make a Grenache Gris rosé with more colour there are several actions which can be taken.

  • Harvesting a little later to allow greater pigmentation to develop in the skins – although this will never be very pink, and there is a risk of lowering the acidity.
  • Longer skin contact and more pressed juice. Free run juice will yield more white-cream wines. Grahm suggests it would need quite a bit of skin contact to actually make a pink wine from Grenache Gris, and/or the use of enzymes to extract the color. I would venture at least 12-24 hours, but with enzymes maybe less.
  • Reducing lees contact. Time on the lees will remove the colour.
  • Adding a small percentage of a black variety before fermentation.
Greanche Gris at Domaine Royal de Jarras photo Bruno Mailliard

Can the beauty of Grenache Gris white wines, with its great texture and complex, nuanced flavours, also be found in the rosé wines?

Bodegas Salvueros Garnacha Gris rosado 2019 DO Cigales. Cigales, located on the high plateau north of the city of Valladolid, just to the west of Ribera del Duero, in northern Spain, has a long historic tradition for producing Claretes, wines made with a blend of red and white grapes to make light reds/dark rosés. Grenache Gris is permitted, but is an atypical variety in the appellation, although these vines are around 75 years, from the Pago de los Mimbreros, in Mucientes. The high-altitude vineyards contribute to the lovely fresh crisp acidity and long mineral length. Less white peach fruit than some and with a nice intensity of wild berry fruit. (tasted September 2020)

In contrast, the Grenache Gris Belvi 2019 IGP Bajo Aragón, cooperative Bodega San Pedro, lying in a much hotter region, inland from the coast south west of Barcelona 130km from the sea, fermented with local yeast  has an almost peachy colour with creamy apricot fruit and hints of orange with a fine phenolic texture. The cooperative was founded in 1959 and the Garnacha Gris, from an abandoned plot in Matarraña, was planted in 1965. (tasted September 2020)

Ferrer Ribiere rosé 2018 Aspres, AOP Cotes du Roussillon. 85% Grenache Gris and 15% Syrah. Producer would have liked more Syrah – but that would have made the rosé darker and the market wants a pale style. Direct press. Fresh peachy fruit, creamy, good nutty creaminess. Dry. (tasted May 2019)

Arnaud de Villeneuve Le Gris de Grenache 2019 IGP Cotes Catalanes Grenache Gris. Pale gris colour. Creamy white fruit, honeyed ripeness with white nuts and very delicate hints of salty caramel – ripe white fruit and a saline edge. (tasted April 2020)

Vignerons Catalans Saveurs d’Autrefois 2019 rosé IGP Cotes Catalanes Delicate ephemeral whiffs of ripe peach and red berry fruit aromas. On palate creamy white peach fruit with the same delicate perfume and hints of white nuts on the finish making a very pretty rosé. (tasted April 2020)

I questioned why Grenache Gris rosés did not seem to be made with the same concentration and complexity as the white wines. Jones was unsure. “If making a rosé, I think it would be a shame to lose all the potential of the grape as a serious white wine.  The colour of the skins does lend it to making a rosé though, but it would probably be lacking fruit flavours.” Mailliard however is convinced it is possible to produce complex and concentrated pink Grenache Gris if the terroir and winemaking is right.

To me Grenache Gris is an amazing, if a somewhat unrecognised, variety. It can produce grey, pink, orange and creamy-white wines in different styles from light and delicate to rich and fortified. Definitely a variety to explore further as well as further discussion amongst winemakers around the world on clones, climate and winemaking.

Valenci Negre, a unicorn vin gris


I first met Alvaro at the Big Fortified Tasting (BFT) in the spring of 2018. I had just published my book on rosé and was looking for pink port (there were only two at the show) so I then had plenty of time to look round the other stands. Alvaro was swamped by enthusiastic tasters on the Alvear stand, but we still managed to taste and chat a little.

Fast forward to WineParis in February 2020. After three days of masterclasses I was finally free to walk around the fair at the end of the show. My son, Ben Bernheim, was on a quest to find sweet wine. He had tasted through the fortified wines of Banyuls and Maury and I met up with him to taste some TbA on the Wines of Germany stand. As the fair was closing up, we came to the Alvear stand and, (scarily) Alvaro remembered me.

He started pouring his amazing glasses of vintage PX – glassfuls of intense raisined sugar. He then said – I have a rosé which might interest you. I will send a bottle when it is ready. To be honest – I did not pay much attention. A lot of people tell me they have an interesting rosé.

A few weeks ago, Alvaro messaged me to tell me about his interesting rosé. His opening lines were:

“So, I started a project last year recovering ancient Phoenician vines and vineyards by the coast of Alicante by a salt lagoon, and we came across this variety named Valenci Negre, from which we have made a rosé like a vin gris. It’s nothing refined and polished (also no sulphites and low intervention in anphora), but you being a rosé specialist I thought you might be interested to try.”

With an introduction like that, I said yes straight away!

The Valenci Negre has been known for years and it used to be accepted within the Valencia and Alicante DOs but in the 1970s it was less valued by the cooperatives and was taken off the list of permitted varieties. Valenci Negre is quite difficult. It is late ripening variety, prone to disease, with a very thin, pale skin. It struggles to balance sugar and acidity, with acidity tending to drop dramatically by the end of the ripening season when the sugars start to concentrate.

Most vineyards were grubbed up, but vineyards which remained in the newly created National Park de la Mata were protected. Alvaro and friends created the Sopla Levante project (@sopla_levante) and were looking for something unique as the whole project aims to bring back not only traditional varieties but also traditional methods and taste profiles. They were working with a local, hugely respected grower, and he agreed to sell his Monastrell to them. These grapes grew high up in the mountains at around 700m with a northerly exposure.

One day while walking around the vineyard, they asked him about the tiny (0.5ha) vineyard terraced just above. The winemaker was dismissive “nah, that’s just Valenci Negre, for food. No acidity”

This patch had 90 year old vines with a healthy, but low yield. They decided to make a varietal wine and because the grape has a delicate pink tinge, it made a vin gris style. They decided to make it in an historical, natural style, fermenting in unglazed traditional “tinaja” (amphora) from the centre of Spain/ The wine is unfiltered. When the owner of the vineyard first tasted the wine, he smiled and said he had not tasted a wine like that since he was 20 years old.

“We went crazy. There are weird patches of Valenci here and there in the region, but they were left for harvesters to eat while working, only another group of guys are actually vinifying it”

I tried La Molineta over the course of an afternoon, at first at a normal rosé temperature, decanted and finally, just before we went live on Instagram, room temperature. At first the wine was very closed, but as it opened out, it became more and more interesting. High altitude and northerly exposure had given the wine a vibrant acidity and maybe sea winds added that final note of salinity. I was surprised at the floral notes which emerged – almost a touch of muscat aromatics, with orange blossom and hints of orange peel.

Only 300 bottles were made and the 2019 is already sold out. Sadly, it is impossible to increase production, so this is a rarity.

To find out more, watch the Instagram live chat we had here.

Alicante seems to be an area where things are happening. Look out for Colin Harkness‘s radio and articles coming up on the region.

Three Serious Bordeaux Rosés


Having to assert that there is serious wine in Bordeaux is a strange way to start this post, but mixed feelings over pink Bordeaux was certainly evident when I was researching my book on rosé.

Serious rosé in Bordeaux is still a minority product which is showing considerable promise. Christer Byklum, the Norwegian Bordeaux specialist commented that in all of his visits to Bordeaux he is very rarely shown any rosé wine, ‘almost as if the producers themselves are a bit ashamed of them.’ He is more likely to taste Bordeaux rosé in a restaurant than in a cellar. He also pointed out that readers of his wine reviews are unlikely to be interested in rosé wine.

The emergence of lighter rosé

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Wine fair war in Montpellier


Montpellier has the good fortune to be home to two international wine trade fairs: Vinisud and Millésime Bio. Such fairs are big business, with many producers and buyers coming, often from far away to meet under one roof. With many producers present, buyers can taste many wines quickly and negotiate with producers directly.

January saw the play-out of a major dispute between the two fairs, which was a major topic of conversation at this year’s fairs.

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Wine, Films, Action!


The world of film has had a long connection with Provence, so while the cinema industry focuses on Cannes for the next two weeks for the 69th Cannes Festival of Film (11-22 May 2016), I thought I would do a fun round up of a few film and wine connections in Provence.

*** STOP PRESS **** Jean-Baptiste Pacioselli (whose parents run Domaine St Jean in Bellet) and Kyrian Rouvet of WellKy Films won three awards: ‘Best Original Screenplay of a Foreign Language Film’,’Best Crime Film’ and the ‘Audience Choice Award’ in the short films category on Friday 13th May 2016 for ‘The Last One.’ Congratulations!

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